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25 days and counting!! Woot.

Available March 23 from Samhain Publishing.

Here’s the official blurb, complete with warning about the sex. :)

Because, while it is a story of love after loss, it’s also erotica.

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Saving her people could mean losing her man.
In the months since an unexplained sickness wiped out most of their women, Sif and Ragnor have managed to hold their people together. Yet nothing can overcome the tribe’s overwhelming grief, and their future as leaders—and as a couple—is at a dangerous crossroads.

A series of sensual omens convinces Sif that a fertility ritual to honor the goddess, Freya, is the only path to healing, but it requires a sacrifice. One Sif is more than willing to make—but puts Ragnor’s heart in the middle of an emotional tug of war. He would give his life for his people, but share Sif’s body with his greatest rival? The goddess asks too much.

Refuse, and Ragnor will fail his duty and doom the tribe to violent destruction from within. Accept, and their trust could be rewarded with renewal for their people and themselves. Or shatter a love already stretched to the breaking point.

Warning: This title contains m/m/f sex, gay sex, anal sex, double penetration and good, clean fun with two hot Vikings and an ancient spring.

Good morning. I missed last week because I got distracted by the Mad Men post. :)

Before the snippet, I wanted to announce that the publication date of Freya’s Gift has been moved to March 23 because of some reworking of Samhain’s website. Just a week delay.

It will now be released the same day as my essay in the Chicken Soup for the Soul–Thanks, Mom book.

Well, hey, they both do concern mothers. :)

This part is from the beginning of the fertility ritual. But just the beginning, so it’s work safe.

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Freya, help me.

Gerhard dropped her hand, only to put his arm around her waist, steadying her but also bringing her closer to him. His arm enclosed her back, sending that strange second skin enclosing her humming. She licked her lips, her whole body awakening to the touch. Ragnor followed Gerhard’s example and she was enclosed by both of them. She bit back a moan, almost turning to watery clay in their hands.

Her breathing grew faster, her face hotter, the lights in the sky more intense. No longer could she tell which hand was Ragnor’s and which hand was Gerhard’s. They seemed as one, all the same person, her body ready to reach out and absorb both of them.

The arms around her tightened.

“Sif,” Ragnor whispered. “Are you well?”

“More than well.”

He kissed her cheek, the soft brush of his lips setting her face as aflame as the bonfire in front of them. Vaguely, she realized that both men had moved behind her, their shoulders touching, to better support her. Ah, now, if they would just touch her… If she could strip off her clothes, fall to the ground with their bodies entwined with hers…

“To the spring.”

Gunnhilda’s voice again. Sif shook her head, wondering what exactly had been in that cup. And had she given the men the same? If so, why did they seem able to stand on their own?

The walk seemed less of a walk than floating above the ground. Colors kept flashing in front of Sif’s eyes. The noises of birds flapping overheard and animals rustling in the brush felt amplified and strange. Her feet seemed to not feel the soil and grass under them. The hands that connected her to both men seemed to burn, almost scald.

They took the new path created to the spring and reached it in what seemed like no time at all. They stood, bathed in moonlight so bright that Sif squinted against the glare. It even reflected off the water, which seemed to double the glow. Imagination? Or some blessing from Freya?

Gunnhilda bowed to them, said one last blessing and retreated with the torch, leaving them alone before the goddess.

The show Mad Men is many things.

It’s intense, morbidly funny, sad, and intelligent.

What it’s never been is happy.

Which is why the ending to season three, which was so joyous I felt like dancing around the room, came as such as pleasant shock.

I’ve never thought Don Draper would end well. He’s a man literally pretending to be someone else. His career in advertising is built on telling other people untruths about products.

In short, his entire life is built on lies.

The fascination for me comes in watching him try to balance those lies with what he knows is the inner truth about himself. It’s not a balancing act I’ve ever thought he would win. But seeing him struggle is worth the price of admission.

Warning, spoilers behind the break.

(more…)

It’s the same cover for the most part but the font has been changed at the bottom to a more modern one, possible to keep the focus on the cover itself rather than the words.

Freya's Gift, the very final cover. :)

March 16.

Not much more than a month away. :)

And the final blurb:

Sif and Ragnor have held their people together after an unexplained sickness killed most of the women in their tribe, but both know that their future as leaders and their life together have reached a dangerous crossroads.

A sexual ritual for the fertility goddess Freya might provide healing but it requires that Sif give herself to her husband and another man. Ragnor loathes the idea of sharing Sif with his greatest rival but if he doesn’t submit to the will of the goddess, he fails in his duty to protect his people.

If they refuse, their tribe could destroy itself.  If they accept,  they could destroy their love. Only by trusting in Freya can they renew themselves and their people.

Coming March 16 from Samhain Publishing.

I repeat that each time because all the marketers say repetition is necessary. :)

I’ve been thinking about the story and how I sometimes stumble when trying to describe it. Yes, it’s erotica and I’m not shy about that but I also think that, deep down, it’s a story of faith: faith in whatever one calls higher powers and faith in each other.

I’ve been choosing bits and pieces that might make some sense out of context and also have the flavor of the story.

Here’s a little bit of Sif with Gunnhilda, the priestess of sorts for the tribe.

*****************************************************************

“Some say that Ragnor’s reluctance to kill Leif makes him weak.” Was Gunnhilda one of those?

“Then they are looking for an excuse, something to complain about,” Gunnhilda said sharply. “I didn’t think Ragnor would be a good leader, but he is. It was a miracle how he managed to get us all here in winter, then set up the village during the time we were in the caves. But even he has limits. There’s been too much bad luck.”

“I think Freya is showing me a way,” Sif said. “I fear I will have to do more than plant squash, however. Plant something else, I think. Or be planted.”

Gunnhilda snorted. “It’s good you married Ragnor. You and Gerhard would have killed each other by now. Too much bluntness in both of you.” She sighed. “What other signs have you seen, besides Mykle and the others, and the cougar that saved Ragnor?”

Sif told of her discovery of the spring, of leading Ragnor to it and the appearance of the three cats after their lovemaking.

“Three?” Gunnhilda dropped the rake.

Sif nodded.

“That is…”

“Yes.”

“Three. That is a new number for Freya. You must worship there again, as you did with Ragnor. But when you go back, there must be three of you.”

Sif paled. Confirmation of her own fear. “You think I should do what Bera did?”

Gunnhilda shook her head. “Freya asks for a sacrifice, not wantonness. It must be as a ritual before the goddess.”

We went through a couple of minor cover variations before settling on this one.

I like this because it intrigues me about what the women might be thinking and I especially love the design and the earth tones, which goes nicely with the Dinah of Seneca cover. That was a happy coincidence, given that they’re with two different publishers.

Available March 16 in ebook form from Samhain Publishing.

My first published fiction.

::snoopy dance::

When I first decided to write a paranormal story, I skipped the ever-popular vampires and shapeshifters. I just couldn’t think of anything to do with them that interested me.

If I’m going to spend time writing a book, the very least I can do is have fun with the story. So I pondered what kind of paranormal element I would have fun writing.

Ghosts, of course. I do have a full Ghosthunter manuscript. Yet that didn’t feel quite right, partially because I got distracted by the mad-scientist Gil Grissom- inspired vampire. He is not supposed to be the hero or take so large a role. Poor Albert went back in the box.

But my perfect paranormal genre was right there in front of me all along.

Superheroes.

D’oh.

I love superheroes. I can write about superheroes.  I could happily entertain myself with superheroes for months.

So PHOENIX RISING was born.

In Summary:

ALEC FARLEY is a fire starter and telekinetic trained since birth to be a
living weapon by the Resource, a shadowy anti-terrorist organization. He
doesn’t realize that the Resource is only interested in collecting power for
themselves.

BETH NAKAMORA  is a psychologist with a latent telepathic
talent.  She’s hired by the Resource to help Alec learn to work well with
outsiders. Beth soon realizes that Alec needs rescuing, not counseling, and
she kidnaps him to show him the normal world.

Unfortunately, her telepathy flares during the kidnapping and she turns his
powers off, leaving Beth terrified of her power, Alec incensed with his
would-be rescuer, and the Resource after them both. They must learn to trust each other and meld their powers together not only to escape the Resource but to defeat a deadly nuclear plot against Manhattan.

The first chapter is below the cut.

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Happy Weekend, all!

I was looking through the story for good passages and realized that I haven’t posted anything yet that featured Gerhard, the third participant in the fertility ritual at the heart of the tale.

Gerhard is also the hero of Dinah of Seneca, so it seemed a good idea to give him some screen time today. He and Ragnor are definitely not friends.

*************************************

“Gunnhilda spoke to me of a ritual,” Gerhard said.

Ragnor nodded. “What of it?”

Speak, Gerhard. Tell me why you think you are deserving of my wife’s touch. Or the touch of the goddess.

“I told Gunnhilda that she was mad.”

“I told Sif the same.”

Gerhard sat on the far side of the rock. Ragnor still did not look at him. Gerhard sighed. “Gunnhilda pointed out the signs of the goddess. The spring. The cat who—”

“Saved my life.” Ragnor finally lifted his head. Gerhard seemed honestly reluctant. Why? Wouldn’t any man want to get hands on Sif? And then perhaps seize leadership?

“The cougar also saved the lives of several in that hunting party,” Gerhard said. “We feasted, instead of mourning.” Gerhard tapped his foot against the ground, over and over. “I grow sick of mourning.”

“We all do.”

Gerhard stood and walked in front of Ragnor to face him. Ragnor stared, trying to read the man’s face. Gerhard had always kept his own counsel, save for his late wife. A fine woman, if a bit too quiet and too thin for Ragnor’s taste.

“You are considering this?” Gerhard said.

Freya damn him, he was. Sif was right. The fight between Torger and Mykle would not be the last. The next one could end in death. And Ragnor kept flashing back to how the great cat had watched him. Judged him.

“Yes.” Ragnor stared past Gerhard. “I am chief. That means my life belongs to the tribe. As does Sif’s life. I consider it.”

I’ve heard all the criticism of James Cameron’s Avatar.

The plot is predictable.

The bad guys are two-dimensional.

Visual effects don’t substitute for story.

All this is true.

But Avatar isn’t simply a movie with great visuals that happens to be making a ton of money because people are shallow and love gimmicks.

Avatar is making a ton of money because it has incredible world building and audiences care about what happens to the characters.

In November, I attended an all day workshop given by screen writing teacher Michael Hauge. The workshop was an eye opener in a number of ways but the one lesson that keeps coming back to me is about how to get audiences to bond with characters.

One quick way is to create a sympathetic character. But that’s not always possible, especially if you’re writing a difficult character. The next way is to put the character in a sympathetic situation.

And look how Avatar starts….spoilers below the cut…. (more…)

Blatant Self-Promotion Time. Freya’s Gift. Coming from Samhain Publishing on March 16.

Snippet:

“Ragnor,” she whispered. “Look up, at the top of the rocks. But don’t move.”

Without moving his head, he looked up and nearly jumped out of his skin.

The cougar.

It stood at the top of the rock, silhouetted against the sun. It might even be the same cat that had saved him. It was not looking at them but instead was looking into the sky. Ragnor tried to keep from breathing. He dared to hope that this was another goddess blessing and not a prelude to an attack. He could not save Sif without weapons.

The cat snarled.

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Soon, I shall have the cover to show to you. And it is a very cool cover.

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